Daniel works within the lineage of classic documentary, drawing from the photobook as influence, extending his style by exploring introspective narratives through the external subjects he photographs. The themes of his recent work focus on hauntology, modern cities, and what it means to be an individual within a society that is impersonal and collective. Using classical methods of street photography, cityscapes, and self portraiture, Daniel explores his own psyche in the reflection of his environment and others

CategoriesIssue II